China Slave Trade & Miao Rebellion
During the Shang dynasty, about 5% of the population was put into slavery. During the Qin dynasty, male slaves were forced to labor on projects like the Terracotta Army. Some slaves were those who had been convicted of crimes such as rape and were castrated and enslaved as a result. Emperor Wang Mang banned slavery, but this was repealed after his death. During the Tang Dynasty, there was a shortage of women, which resulted in trade with Koreans for women. During the Ming dynasty, slavery was banned; however, in practice, slavery continued through the Ming dynasty. The Qing dynasty initially saw an increase of slavery in China, though there were measures against slavery.
The Miao Rebellion of 1854–1873 was an uprising of ethnic Miao in Guizhou province during the reign of the Qing dynasty. The uprising was preceded by Miao rebellions in 1735–36 and 1795–1806, and was one of many ethnic uprisings sweeping China in the 19th century. The rebellion spanned the Xianfeng and Tongzhi periods of the Qing dynasty, and was eventually suppressed with military force. Estimates place the number of casualties as high as 4.9 million out of a total population of 7 million, though these figures are likely overstated.
The rebellion stemmed from a variety of grievances, including long-standing ethnic tensions with Han Chinese, poor administration, grinding poverty and growing competition for arable land. The eruption of the Taiping Rebellion led the Qing government to increase taxation, and to simultaneously withdraw troops from the already restive region, thus allowing a rebellion to unfold.
CHINESE – SINIM – SINITES – SIN – SINOLOGY
The land of Sin (Hebrew: סִין), also known as Sinim (from: Hebrew: סִינִים, i.e. the inhabitants of the land of Sin), is mentioned in the Hebrew Bible, in the Book of Isaiah 49:12: “Behold, these shall come from far: and, lo, these from the north and from the west; and these from the land of Sinim.”
Some scholars have claimed that Sinim is a variant name for not-so-distant Phoenicia and others as a reference to Syene or to the desert of Sinai. Some have even associated Sin with China, the root word of Sinim, Sinae resembling the Latinization of Qin, after the Qin (state), founded 778 BC and Qin dynasty, founded in 221 BC by Qin Shi Huang-Di. At the time of the prophecy there was no one China, but many small states.
The Chinese associate the origin of their civilization with the capital of Shensi, namely, Siang-fu (translated Father Sin). In Assyrian records, Siang-fu appears as Sianu
Ezekiel 30:15-17 – And I will pour my fury upon Sin, the strength of Egypt; and I will cut off the multitude of No. And I will set fire in Egypt: Sin shall have great pain, and No shall be rent asunder, and Noph shall have distresses daily. The young men of Aven and of Pibeseth shall fall by the sword: and these cities shall go into captivity.
The Original ‘Unknown’ God of China
Originally published in Creation 20, no 3 (June 1998): 50-53.
Why did the emperors sacrifice a bull on the great white marble Altar of Heaven at an annual ceremony, the year’s most important and colourful celebration, the so-called ‘Border Sacrifice’?
Mystery concerns the 450-year-old Temple of Heaven complex in Beijing, China. Why did the emperors sacrifice a bull on the great white marble Altar of Heaven at an annual ceremony, the year’s most important and colourful celebration, the so-called ‘Border Sacrifice’? This rite ended in 1911 when the last emperor was deposed. However, the sacrifice did not begin a mere 450 years ago. The ceremony goes back 4,000 years. One of the earliest accounts of the Border Sacrifice is found in the Shu Jing (Book of History), compiled by Confucius, where it is recorded of Emperor Shun (who ruled from about 2256 BC to 2205 BC when the first recorded dynasty began) that ‘he sacrificed to ShangDi.
Who is ShangDi? This name literally means ‘the Heavenly Ruler.’ By reviewing recitations used at the Border Sacrifice, recorded in the Statutes of the Ming Dynasty (AD 1368), one may begin to understand the ancient Chinese reverence for ShangDi. Participating in this rite, the emperor first meditated at the Temple of Heaven (the Imperial Vault), while costumed singers, accompanied by musicians, intoned:
‘To Thee, O mysteriously-working Maker, I look up in thought. . . . With the great ceremonies I reverently honor Thee. Thy servant, I am but a reed or willow; my heart is but that of an ant; yet have I received Thy favouring decree, appointing me to the government of the empire. I deeply cherish a sense of my ignorance and blindness, and am afraid, lest I prove unworthy of Thy great favours. Therefore will I observe all the rules and statutes, striving, insignificant as I am, to discharge my loyal duty. Far distant here, I look up to Thy heavenly palace. Come in Thy precious chariot to the altar. Thy servant, I bow my head to the earth reverently, expecting Thine abundant grace. . . . O that Thou wouldest vouchsafe to accept our offerings, and regard us, while thus we worship Thee, whose goodness is inexhaustible!
Thus we find the emperor worshipping ShangDi. Can we possible trace the original intention of this magnificent ceremony of antiquity? As the emperor took part in this annual service dedicated to ShangDi, the following words were recited, clearly showing that he considered ShangDi the Creator of the world:
‘Of old in the beginning, there was the great chaos, without form and dark. The five elements [planets] had not begun to revolve, nor the sun and moon to shine. You, O Spiritual Sovereign, first divided the grosser parts from the purer. You made heaven. You made earth. You made man. All things with their reproducing power got their being.
For the Christian, the above recitation sounds strangely familiar. How closely it reads to the opening chapter of the biblical Genesis! Note the similarity with excerpts from the more detailed story as recorded in the Hebrew writings:
‘In the beginning God created the heaven and the earth. The earth was without form, and void; and darkness was on the face of the deep. . . .
‘And God said, “Let the waters under the heaven be gathered together unto one place, and let the dry land appear”; and it was so. And God called the dry land Earth, and the gathering together of the waters called He Seas. . . .
‘And God made two great lights: the greater light to rule the day, and the lesser light to rule the night: He made the stars also. . . .
ShangDi, the Creator-God of the Chinese, surely appears to be one and the same as the Creator-God of the Hebrews. In fact, one of the Hebrew names for God is El Shaddai, which is phonetically similar to ShangDi. Even more similar is the Early Zhou pronunciation of ShangDi which is ‘djanh-tigh’ [Zhan-dai]. Another name for their God which the ancient Chinese used interchangeable with ShangDi was Heaven (Tian). Zheng Xuan, a scholar of the early Han dynasty said, “ShangDi is another name for Heaven (Tian)”.5 The great philosopher Motze (408–382 BC) also thought of Heaven (Tian) as the Creator-God:
‘I know Heaven loves men dearly not without reason. Heaven ordered the sun, the moon, and the stars to enlighten and guide them. Heaven ordained the four seasons, Spring, Autumn, Winter, and Summer, to regulate them. Heaven sent down snow, frost, rain, and dew to grow the five grains and flax and silk so that the people could use and enjoy them. Heaven established the hills and river, ravines and valleys, and arranged many things to minister to man’s good or bring him evil.
How did ShangDi create all things? Here is one further recitation from the ancient Border Sacrifice rite:
‘When Te [ShangDi], the Lord, had so decreed, He called into existence [originated] heaven, earth, and man. Between heaven and earth He separately placed in order men and things, all overspread by the heavens.
Note that ShangDi ‘called into existence,’ or commanded heaven and earth to appear.
Compare this with the way the Hebrew text describes the method of creation by El Shaddai, who, we suspect, is identical with ShangDi, and the similarity in name and role would suggest:
We have not yet explained the reason for the emperors’ bull sacrifice to ShangDi. Let us compare this Chinese sacrifice with the instruction given by God to the Hebrews:
‘Take thee a young calf for a sin offering, and a ram for a burnt offering, without blemish, and offer them before the LORD’ (Leviticus 9:2 (KJV))—a practice which began in earliest times (Genesis 4:3, 4 (KJV)).
The origin of the Border Sacrifice would appear to be explained in the book, God’s Promise to the Chinese. The authors, Nelson, Broadberry, and Chock have analyzed the most ancient forms of the pictographic Chinese writing and found the foundational truths of Christianity. In these ideograms, which date from before the time of Moses—we have the entire story of creation, the temptation, and fall of man into sin, and God’s remedy for sin in the animal sacrifices, which pointed to the coming Savior, Jesus Christ. All the elements of the Genesis narrative are found recorded, and still in use, in the Chinese character-writing.
ALL PEOPLE IN THE WORLD, NOT JUST THE CHINESE, ARE DESCENDED FROM THE INHABITANTS OF BABEL.
The associated box shows some startling realities about the written Chinese language, indicating that we are all related—and not so long ago. All people in the world, not just the Chinese, are descended from the inhabitants of Babel, the first civilization after the Flood. God first gave His promise of a coming saviour, the ‘Seed of the Woman,’ in (Genesis 3:15 (KJV)). The foreshadowed sacrifice of the coming Lamb of God, Creator and Saviour, is as old as mankind.
Should a Chinese person tell you that Christianity is a ‘foreigner’s religion,’ you can explain that the Chinese in antiquity worshipped the same God as Christians do today. Like the Hebrews often did, the ancestors of today’s Chinese wandered off after false gods; the memory of who their original God was dimmed with time. The ancient Chinese script gives powerful evidence for the historical truth of Genesis.
HEBREW WRITINGS FROM CHINA
|Yeshurun’s Chinese name is Li Wang Hu. He has many characters written on rice paper. These were written at Meizhou Gongdong in China.